Shakespeare was a very musical playwright, integrating dozens of songs into his plays, with several musical characters. Through the years, many wonderful Nashville composers and songwriters have partnered with Nashville Shakes collaboratively creating some lively and unique scores. NSF is known for musical adaptations and composers performing live. For this CD, we've chosen just a few numbers from five live shows that were staged between 2014-2018. We hope you enjoy these original songs, co-written in the creative spirit with William Shakespeare.

Executive Artistic Director Denice Hicks

CD includes 12 original songs from our productions of:

As You Like It, 2014

Twelfth Night, 2015

The Comedy of Errors, 2016

The Winter’s Tale, 2017

Hamlet, 2018

Notes on the Songs

(Photo by Rick Malkin) L-David Olney, R-Derek Whittaker as Jaques

As You Like It, 2014

It Almost Makes Me Laugh (Jaques’ Song) was written by David Olney for 2014’s As You Like It, in which David played “Amiens.” Denice directed this one, too, and presented the play as a diversion presented in a Depression-era homeless camp. The Forest of Arden therefore became a “Hooverville”. Denice challenged David to write a song to replace the one sung by Amiens, about the killing of a deer. It was needed to denote the passage of time and seen as a great opportunity to effectively depict the mood and personality of the melancholy character, “Jaques”. “Derek Whittaker played Jaques in the play and sang this song.” recalls David, “I followed him around, playing guitar and making funny noises”

A Lover and His Lass - Lyrics by William Shakespeare, is Stan Lawrence’s take on a Thomas Morley setting of Shakespeare’s text in the 2014 As You Like It. He imagines what would happen musically if the Bard and Morley experienced the questionable fate of being born in the 20th century and had to make their living playing the banjo.

Under the Greenwood Tree - David Olney was asked to transpose Shakespeare’s song into something that might have been written during the Great Depression in Tennessee for the 2014 As You Like It. David said that, “Updating the verses was a piece of cake but duc dame duc dame duc dame was a head scratcher. I hit on the idea of using the old blues nonsense line, diddy wah diddy in the song and sneaking in the duc dame stuff at the end. So far I haven't been arrested.”

(Photo by Rick Malkin) Garris Wimmer as Feste

Twelfth Night, 2015

Come Away Death - Lyrics by William Shakespeare, melody and arrangement by Rolin Mains, this song provided a turning point in Twelfth Night. In Act 1 scene 2, Viola claims that she can sing, but isn't usually given the opportunity in most stagings. NSF was fortunate to land a wonderful singer, Madeline Fendrick, in the role of Viola, so Rollie added a counter melody for her to sing. When she joined Feste, played by Garris Wimmer, on this song, the Duke Orsino's love for her (even though she was disguised as a boy) was sealed.

O Mistress Mine - In 2015’s Twelfth Night Rolin Mains composed a melody and musical arrangement to lyrics by William Shakespeare with O Mistress Mine. This song has been set by Byrd, Quilter, Vaughan Williams, Beach, and many others. It is one of the more famous of Shakespeare’s songs. The director of Twelfth Night, Denice Hicks, wanted to convey a fairytale quality to her staging. Mr. Mains drew on the influences of Ravel and Vaughan Williams to create a piece that had a timeless melody supported by other-worldly, magical harmonies.

(Photo by Rick Malkin) Jordan Scott as Luciana and Taylor Kelly as Antipholus of Syracuse

The Comedy of Errors, 2016

All In It Together - The opening track, All In It Together, is a song written by Stan for 2016’s Shakespeare in the Park The Comedy of Errors. Denice Hicks directed the play emphasizing the theme of a long-lost family, separated by time, distance, and fate, finally reunited at the end. The adage “what goes around comes around” was used as a touchstone throughout the creative process, and Denice challenged all of the songwriters to write something toward that theme. Stan’s song was used as a curtain call, sung first by Antipholus and Dromio of Syracuse, and joined by the whole cast for the final bows.

When One Door Slams - In When One Door Slams, Antipholus of Ephesus from the 2016 The Comedy of Errors is locked out of his home because his wife has mistaken his twin brother (whom he knows nothing about) for him and is entertaining the twin for lunch. He believes his wife to be cheating on him so he, his sidekick Dromio and two others go to visit “Tiny” at “Tiny’s (World famous) Porpentine” for comfort. Stan wrote this song in the Bakersfield style of the 1960s.

Teach Me, Dear Creature - also from the 2016 The Comedy of Errors, Jack wrote this song to take the place of a long speech spoken by Antipholus of Syracuse who is smitten with Luciana, the sister of Adriana, whom everyone believes to be his wife, but is actually the wife of the twin brother for whom he has been searching. The title of the song is a key line in that speech. Denice asked Jack if he could write it in Bob Dylan's style, to which Jack happily obliged.

It All Comes Back was written by Lari to meet the “what goes around comes around” challenge for The Comedy of Errors. Lari’s song was used at the end of Act One and was sung by Bonnie who played “Tiny” who is an unnamed “Courtesan” in Shakespeare’s version. To make the show more family-friendly that character became the local bar owner with a heart of gold, the one to whom the men could take their troubles, but also a shrewd business woman. This song ended the first half of the show on an upbeat, with Bonnie backed up by “Porpentine” waitresses and the rest of the cast singing from different places on the stage.

(Photo by Rick Malkin) Jonah Jackson as Autolycus

The Winter's Tale, 2017

Compren by Natalie Bell was translated from Shakespeare’s words to Spanish. The English version was sung by the rascally character of the thief Autolycus in The Winter’s Tale. The Festival’s 2017 production, directed by Santiago Sosa, was set in Latin America during the time of Simon Bolivar and included many references to Latin American culture of the early 19th Century. A lavishly orchestral arrangement of this song was used as the exit music with René Millán’s voice on top. In order to emphasize the song’s overall aesthetic, along with René’s strong vocal quality, we decided to strip it down to just voice and guitar with a touch of castanets.

(Photo by Rick Malkin) Sam Ashdown as Hamlet

Hamlet, 2018

What is a Man was written by Jack while Ms. Hicks was contemplating the idea of using music in her 2018 production of Hamlet in the same way that she had in other musical adaptations of Shakespeare’s works. Denice felt that the song conveyed the emotion of the speech very effectively as well as making its meaning more clear. Eventually the idea of using music in a tragedy the same way as in a comedy was abandoned. Nevertheless, the melody of this song served as a recurring theme for the title character throughout the production.

And We All Will Meet Again by Natalie and Jack was written as the Finale for 2018’s Hamlet. It was intended to be an uplifting moment at the end of an inconsolable tragedy. It was modeled after the same melody which was written for the song in the play He is Dead and Gone, sung by Ophelia after the accidental slaughter of her father Polonius. It was also the opening theme at the top of the show, slow and lamentingly, as Hamlet is grieving over the death of his father with Ophelia comforting him. For the Finale Natalie and Jack switched the theme from mourning to redemption.